Things I like (that you should too).

(Source: itskylestyle)

vakarians-waifu:

→ Mass Effect Lithographs

(Source: seraphic-assassin)

verisimilitude-and-veracity:

theysayoftheacropolis:

orbitingasupernova:

h-a-p-p-y-h-u-n-g-e-r-g-a-m-e-s:

cashasthephonebox:

suprise329:

pockytardis:

radiolocked:

dependingontheweather:

abouttherealawesomestuff:

“I’ve been online and looked at all the theories and there’s one clue that everyone’s missed. It’s something that Sherlock did that was very out of character, but which nobody has picked up on.” - Steven Moffat

Sherlock has his phone (looks to me like that at least) in his hands there, hiding it cleverly in his coat sleeve most of the times.

Why? That leads to my idea related to quote above from Steven Moffat.

I am referring to the conversation between Sherlock and Jim on the roof. Sherlock is doing something out of character there: He’s asking questions, he seems confused. But only that much to not make Jim suspicious.

Sherlock: But the rhythm … 

Jim: Partita no. 1, thank you, Johann Sebastian Bach

Sherlock: But then how did you …?

And then Jim explains his entire plan how he broke in several important buildings at once. It’s not the only time in that conversation where Sherlock acts like the “dumber one” of both, of course not too bluntly so Jim doesn’t realize what’s going on.

Why does Sherlock act like he’s lost and hasn’t figured out Jim’s entire plan? So he can record what Jim is saying (in sense of a confession) on his phone, which he has in his hand/coat sleeve.

When you watch the scene again, Sherlock steps to the edge of the roof, till to that point he was acting. Then he starts laughing, cause he feels like he has won. The most important parts he probably has recorded. So he steps back down again. Now he’s back to his “normal self”. I feel like you can see it in his attitude even (comparing 2nd screenshot with 3rd)

Later, when he’s on the phone with John, Sherlock says: “This is my note.”

Before he jumps of the building, he throws the phone away, to leave it on the roof. 

Hmm, these are my thoughts to the scene so far.

EVERYONE READ THIS THIS IS AMAZING AND SO PERFECT.

READ 

JUST READ IT OKAY?

… And a while ago I had the idea that the phone held more information and could possibly be the actual ‘note’ Sherlock was referring to… now an actual theory came up. OwO

JFJSDKASGJASKDLJSALKFDSFAJDFLK;ALSFSDF;

I love the smartness of tumblr!

You deserve an award.

IT’S HIS NOTE! NOT HIS SUICIDE NOTE BUT HIS FUCKING NOTE THAT TELLS THE WORLD THAT RICHARD BROOK IS A FAKE!!! 

I love you! You are wonderful and have an amazing mind!!!

Dear Mofftiss,

If this turns into another poorly crafted “Wedding of River Song”-type puzzle with no answer, many people will be very angry. This is a really good theory. If you aren’t already using this, please consider it.

Thanks,

A concerned Sherlockian

I pulled back the layers of quotes so that it was easier to read.

Anyway, I just saw this episode yesterday, and if I didn’t comment to Jon, with whom I was watching, I should have: there’s a deliberate emphasis on several actions of Sherlocks, the greatest being the deliberate nature in which he positions his hands behind his back just before the conversation really gets going.

Not to mention the fact that what he “needed” from Molly Hooper was never explained in-episode, and I am assuming that either A. He asked her for something that would let him fake his death by way of real blood or some such thing and/or B. He asked her to make sure she performs the autopsy and fakes his death for him. As a side note, it’s also quite unclear as to whether or not it was actually Sherlock’s body, because while his flailing and jumping off of the building was shown, it’s not entirely unheard of for something like that to be a “perspective” of a bystander (i.e. John) that was not accurate to what really occurred. The whole “I am you and you are me” conversation lends a little bit of credence to this.

I don’t know about all that other stuff, but it’s pretty clear how Sherlock survives.

You’ll notice he makes Watson stay behind a building here:

and here:

So that he can fall into the truck full of soft bags that begins driving before Watson is hit by a bicycle. Pictured here on the right:

And on the top left here:

That truck is probably the plot device for Sherlock’s survival. If I had to guess on the thing Moffat is referring to that’s out of character for Sherlock, I’d say it’s probably when he’s telling Watson to get behind the building, and actually says “please”.

the-absolute-best-gifs:

Follow this blog, you will love it on your dashboard

(Source: pepperimp)